Countercurrents

v02 Issue · June 2026

Explore the Art in Volume 2

About

in situ is a community-led zine that captures the creative, critical, and curious spirit of the Scripps Institution of Oceanography (SIO) community. Through written word, visual art, photography, and multimedia formats, in situ provides a platform for SIO community members to reflect, reimagine, and express their experiences and perspectives on science, the ocean, academia, and life at Scripps or San Diego—in situ and beyond.

Our Goals

  • Foster interdisciplinary creative expression among SIO students, postdocs, faculty, staff, alumni and other affiliates.
  • Increase the frequency, accessibility, and awareness of art-making and showcasing opportunities at SIO.
  • Build community across academic and personal identities for the SIO community.
  • Archive the SIO experience through an annual, student-curated publication.
  • Uphold and celebrate values of inclusivity, scientific integrity, and free expression.

Zine Crew

Meet the Editors

Theodora Mautz

Theodora Mautz

Editor in Chief

Oc Boulais

Océane Boulais

Digizine and Design Co-Editor

Mariah Avila

Mariah Avila

Co-Editor

Ahmi Cacapit

Ahmi Cacapit

Social Media and Outreach Editor

Aurora Czajkowski

Aurora Czajkowski

Visual Design and Publishing Editor

Rimma Levina

Rimma Levina

Design Co-Editor

Sarah Rose

Sarah Rose

Design Co-Editor

Ethan Staats

Ethan Staats

Finance Co-Editor, Design Co-Editor

Riley Meehan

Riley Meehan

in situ Zine Faculty Advisor, Makerspace Director

Alumni

Dante Capone

Dante Capone

Co-Editor

Max Titcomb

Max Titcomb

Co-Editor

Submit

Submissions for v02 are now closed. Stay tuned for v03!

Theme: Countercurrents

Countercurrents welcomes work that explores forging unexpected paths, resilience in adversity, and surprising discoveries — experimental or traditional. All community art and writing are encouraged.

Call for Sticker Designs (Coming Summer 2026)

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v01 Zine

Seas of Change · Inaugural Issue

Explore our inaugural zine 🌊 Dive into a curated collection of visual art, multi-media expression, photography and writing from the SIO community. Our Tides of Change theme aimed to capture the tides of transformation in science, society, and the ocean.

This work is licensed under a Creative Commons License. Please respect our artists and reach out to insituzine(a)gmail(dot)com with interest in collaboration or use of the artwork displayed.

v02 Zine

Countercurrents · June 2026

Coming Soon!

🎬 Sneak peek at what's inside

Artwork

All works featured across in situ issues

Below is a curated index of every artwork that has been submitted and accepted into in situ — including title, contributing artist, and a short description of the piece.

Click here to see our artists' pieces and their descriptions
Artist Title Description
Ace ChristensenAmenitiesThe novelty and oddity of an indoor pool. Pen, Watercolor & Construction Paper.
Dr. Adi Khen, Smith LabSeaweed WreathDigital art featuring scanned pressings of Northern California seaweeds
Dr. Adi Khen, Smith LabCalifornia Seaweeds OverlaidDigital art featuring scanned seaweed pressings
Dr. Adi Khen, Smith LabTropical Seaweed HeartDigital art featuring scanned pressings of tropical seaweeds
Ahmi CacapitPhotogrammetry survey of a coral reefScuba diver conducting long-term monitoring data using photogrammetry
Ahmi CacapitA day off (in the field)35mm film photos taken during one of our days off in the field in Upolu, Samoa
Aiden BeaupainBLUThe deep BLU ocean - An endless expanse of coalescing freeforms
Allie Smith/Tide CraftWeedy Sea DragonThis is an original digitally drawn piece that I carved into rubber to make a stamp.
AM[no title](jellyfish painting)
Amita Stowittsthe sea is sick and so am IMy submission is a poetry piece. Recently I've been thinking about the role human activity may have played in the development of my chronic illness. I wanted to explore how the disease connects me to the natural world (in this piece, the ocean specifically).
Ann MaddenspiralingCollage constructed using cut images from 'The Illustrated Guide to Crystals' by Judy Hall + 'Florida's Fabulous Seashells' by Williams/Carmichael
Ann Maddenspineless soiréeCollage constructed using cut images from 'Field Guide to the Atlantic Seashore' by Kennet Gosner
Ann Maddenplenty o' fishCollage constructed using cut images from 'Art Forms in Nature' by Haeckel and 'The Fresh Water & Salt Water Fishes of the World' by Migdalski et al.
Anna GolubCalifornia scenes in watercolor
Anna GolubEast Pacific Rise, watercolor + pen'Sketch and watercolor of DSV Alvin and R/V Atlantis, from fieldwork above the East Pacific Rise in December 2024 and partly inspired by photos of Alvin & Atlantis taken by Luis Lamar (WHOI)
Annika VawterKelp Canopy in Fused GlassFused glass work depicting Macrocystis kelp fronds in the forest canopy
AnonymousManglar doodleA quick mangrove doodle consisting of colored leaves in the background and a mangrove tree overlaying the leaves
AnonymousMegaptera novaeangliaePage out of a journal
AnonymousPortrait of a GaribaldiIt’s a sketch of a garibaldi. The little orange guys are California’s state fish and funny as heck. Very territorial and cute.
Arden BoiceBeach CliffsThis piece was made after a trip I took with my roommate to the cliffs near Gliderport. It is made digitally using ClipStudio.
Austin and Angus ThiesDoomsday DenimMade from recycled denim, linoleum block cuts, and ink. Inspired by the recent appearance of Oarfish around La Jolla. For print requests contact Austin Thies - austinthies13@gmail.com
Brittany LockhartStillness and MotionThis photography is from a series of neutral density long exposures taken at Shaw's Cove in Laguna Beach, CA
Brynli ToulzeWorm's-eye ViewA portrait picture of a new hesionid species from the Rosebud Whale Fall
Caitlin KenneyQuacking Down on Plastic PollutionThis is a mixed-media piece featuring translucent plastic ducks that depict the flow of ocean currents on a watercolor world heat map. It was inspired by an event in 1992 in which a container ship accidentally dumped tens of thousands of plastic ducks and other animals into the ocean, which were then tracked around the world and used to map ocean currents. The ducks are meant to represent the human impact on the environment, while also serving as a reminder of human creativity and resourcefulness in recovering from our mistakes.
Caitlyn WebsterNanomia bijugaThis is a scientific illustration for the publication, "Distributed propulsion enables fast and efficient swimming modesin physonect siphonophores."
CarolBackyardMy friends inspired me to take more photos.
Carolina Lorena BerysBalanceIllustration of a mermaid performing a balancing pose - gouache on paper. The image was inspired by a photo from the June 2013 issue of LA Yoga Magazine. The mermaid tails was inspired by royalty-free elements created by DeviantRoze on deviantart.com
Carolina Lorena BerysReposeA mermaid reclines in repose - acrylic on board. The mermaid tails was inspired by royalty-free elements created by DeviantRoze on deviantart.com
Center for Marine Biodiversity and Conservation - 2025 Winter Reading Group (collage contributors: Mara Button, Sam Clements, Megan Dickerson, Kristina Dizon, Shannon Dolan, Allison Kellum, Leticia Lee, Theodora Mautz, Kevin Pease, Nan Renner, Thomas Rocca, Marissa Saenger, Stephania Torres-Londono, Steffaney Wood)Our Vision for a Positive Climate FutureThe CMBC 2025 Winter Reading Group's collective vision for positive climate future, and ourselves in it. Collage inspired by "What If We Get It Right?" by Ayana Elizabeth Johnson (PhD 2011). Media: Mixed paper.
Christine SteinkeKelp ForestWatercolor painting of a kelp forest.
Christine SteinkeFlamboyant CuttlefishWatercolor painting of a flamboyant cuttlefish.
CJSeaPaleoenvironmental Reconstruction of the Red Hills Fossil Flora and FaunaA reconstruction of the Red Hills Locality's paleofauna and flora from the Devonian period. The illustration and references were in collaboration and consulted with the commissioner to accurately represent the organisms according to prior research. (Link:https://www.researchgate.net/publication/386874666_New_Specimens_of_the_Fossil_Fauna_and_Flora_of_the_Red_Hill_Locality_Hyner_PA_Famennian_Stage_Upper_Devonian)
Claire Abby BrattonMeroplankton"Meroplankton" is a poem on the feeling of being adrift.
Dante CaponeAshes to AlgaePen and ink drawing laser engraved and modified
Emily IgnatoffRipple EffectThis painting uses the diverse body shapes seen in fishes to create a pattern where growing outlines collide to form new spaces, capturing a "ripple effect" like when a rock is thrown into water (inspired by Zentangle). Medium: gouache on watercolor paper
emily nixonbranching to breakpoetry
emily nixondraft of freedom (why i freedive)poetry
EvieIt’s rainingEnjoying the rain?
Freya HammarBleachingThis is a digital painting titled Bleaching. I intended it as a commentary on the fragility of marine ecosystems and the human connection to oceanic degradation. It juxtaposes the living reef with a bleached one, a living woman and her skeleton, dark hair and bleached hair, et cetera, symbolizing the impact of coral bleaching and pollution on marine ecosystems.
Gabriel GekasCatalina GaribaldiI took this photo while helping a friend with a scuba course in the Avalon Open Water Park. The photo was taken with an Olympus TG6, a little point-and-shoot that is very convenient for capturing photos of opportunity. I think it's the best framed subject photo I've taken this year; no post-processing or color correction was performed on this photograph.
Gabriel GekasRevelle from AboveWhile flying a large drone to collect ocean topographic data, this image was taken by the onboard camera sampling at about 2 Hz. Images from this experiment are being used to extrapolate sun glitter distribution data and the mean-squared slope distribution of the underlying surface gravity wave field.
Gianna Villanueva“Standing Still”Evolutionary change; through the lens of a photographer. How everyday life and creatures are captured if for a moment, time stood still.
Isidora RojasDevotional to the CliffsJournal entry / prose
Jordan DiNardo (Epicurious Fisheries Scientist and SIO Alum)Savor the ScienceA glimpse into a dinner series where science, seafood, and storytelling intersect — told through words and a visual collage. Included is a vision board pieced together from images found via Pinterest, capturing the imagery and inspiration behind Savor the Science. The images are used solely for illustrative, non-commercial purposes to reflect aesthetic and thematic direction; all rights remain with the original creators.
JuliaJellyfish bloomWatercolor depicting the concept that climate change may increase the jellyfish population
Kassidy Du VongxayThe Open35mm film photo of an unridden wave on the south side of the Huntington Beach pier during a heat of the US Open of Surfing.
Kassidy Du VongxayBreeze35mm film photo of Crescent Bay in Laguna Beach taken during golden hour.
Katya SumwaltEarly Morning Runpoetry
Keira MalarkyA Sea Where I ChangeThis is just a little kelp forest I decided to paint on my dresser. Some of my favorite places to snorkel and dive in Southern California are the kelp forests of Catalina and La Jolla. It was super fun to paint this and I think it will be a continuous mural that I modify over time (another factor that adds to my play on words for the “seas of change” theme).
Keira MalarkyLook!This photo is really special to me. I think it captures the essence of child-like wonder, and the gravity that the ocean has on children. I have memories of visiting aquariums as a kid with my face pressed up against the glass, in complete awe of the alien-like world in front of me.
Kristina Fleetwood (she/her)Armed to the teeth: Arm use in defensive behaviors of Octopus bimaculatusThis piece is an artistic representation (watercolor and ink on paper with project descriptions for captions) of my first experience conducting cephalopod research, during an REU on Catalina Island. The now Dr. Kelley Voss and I conducted a series of behavior trials with California two spot octopuses and California morays, providing a firsthand opportunity to become acquainted with their posture, coloration, and individual personalities. I'm grateful for the perspective and joy this project imparted to me. As a graduate student, I now study much deeper-dwelling species, but my respect and admiration for them remains the same.
Laís LimaSea of ChangePoetry
Lily RaymondSnackingAcrylic painting of a sea turtle eating a jellyfish
Lindsey KimCopiliaThis illustration was made using photos I have taken from my own microscope work :)
Linnea CooleyAlgae Collection at Lake JohannaThis piece is acrylic on canvas. It is a painting of me collecting algae for my first ever independent research project in high school.
Linnea CooleyNautilusThis is a triptych with acrylic, photo transfer, ink, and collage elements on canvas. The concept behind it is a progressive abstraction--in this case, the "original" piece is a nautilus in the ocean, which is abstracted first to a fossil and old-timey scientific illustration, and then to math and graphing.
Linnea CooleyDescentThis piece is acrylic and charcoal on wooden boards. Each panel depicts a different ocean zone and the organisms that reside there.
Lisa TauxeHaiku while drillingA series of haiku and photos that tell tales of expeditions aboard the Joides Resolution
M.E.B.inner shelfIllustrated free-form poetry
MailePen Holder for LabI made a cup on the wheel and scratched various viral morphologies on it to use as a pen holder in our lab (we study viruses).
Matias AlvarezBeneath the GiantThis is a photo I took while diving in Raja Ampat, Indonesia. I was lucky enough to visit a manta cleaning station and after an uneventful first dive we had this marvelous encounter with a couple of mantas.
Matias AlvarezClownfish PlaygroundThe world famous dive "Melissa's Garden" gave me the opportunity to capture a thriving anemone living under a storm of damselfish
Matias AlvarezBubble of LifeThe anemones seem to be a small bubble of life, where the clownfish feel safe from the other reef inhabitants. This was what I aimed to capture with this image.
Matias AlvarezHidden Among the TentaclesAs I waited with my camera aimed at the flowing appendages of the anemone, this curious clown fish came out and nearly ran into my dome port.
Melissa BrockA wave of changeMixed media collage representing the intersection of climate grief and hope
Melissa MillerMy SunsetHi team, love this idea and will champion it in any helpful way. This is a poem I wrote onboard R/V Roger Revelle while doing research at sea in 2012. I am hoping to join a creative session to see if I can also come up with something new, but wanted to get this in right away.
MSBending the CurveThis is a screen-captured image from a video of me dancing. I am in a curved shape and I have added text on the photo to form a haiku.
Nan RennerCovid DoodlesBlack and white graphic drawings, some are raw material for a coloring book and/or wallpaper
Nan RennerA Celebration of Life (1)Black and white graphic drawings, some are raw material for a coloring book and/or wallpaper
Nao SongA Prophetic DinnerA Prophetic Dinner is a digital artwork that illustrates a dinner scene where the main course, fish, is replaced by money. This was an intentional choice meant to portray the changing relationship between humans and the ocean as we continue to take its resources in the name of profit.
Nicole SchriberKiller Views of SIOThis photo features Nicki, an Eastern Tropical Pacific killer whale, traveling past Scripps Pier. Though orcas are rare in San Diego waters, Nicki's pod has made sporadic appearances off of our coast, providing incredible opportunities to research these elusive whales.
Nicole SchriberSunset TravelingEastern Tropical Pacific killer whale Diego pops up in the sunset light behind his older family member, Nicki, who babysits him while his mom is getting some much-needed alone time.
Nicole SchriberThe HuntEastern Tropical Pacific killer whale Ana jumps to intercept a leaping bottlenose dolphin right off the coast of La Jolla. Ana and her pod work together to bring down the dolphin, continuing the great circle of life.
OcSeaing in colours: making heads and tails out of a synesthetic brainA piece in aquarelle is accompanied by a song interpreting the synesthetic response of a self portrait
Peter ShearerNaga LaneThis photomontage was assembled from photos taken with my iPhone in January 2025. I was inspired by the photographic collages of David Hockney.
Sam LDay to NightMt. Taranaki Maunga as day shifts to night
Sam LOpen SeaEvening open seas off the port side of R/V Sally Ride - CalCofi Fall 2024
Samantha ClementsTrystan's dolphriendsAcrylic paint on upcycled canvas inspired by a drone photo captured and stylized by the late Trystan Snodgrass (IG: @drone_dude_trystan) (December 15, 1984 - May 8, 2025).
SaraNight Shiftpoem
Sarah RoseWAIS DivideTo understand historic ice flow in Antarctica, scientists utilized cross-polarized filters to photograph slices of ice from the WAIS Divide Ice Core. This ice cores serves as a climate proxy, an archive of the chemical and physical properties of the past used to model the future. Yet, access to this research and the imaging technologies that scientists use to demarcate the ice crystal structure remains under explored. I compiled images from the data set and collaged them into planes which represent each 1000-meter depth of the ice core. I then engineered a pop-up mechanism that would stack each of these planes with the coldest, newest ice samples on top and the warmest, oldest ice samples on the bottom. Through the outline of Antarctica at the base, these images transform into a topographic form. This creates an entry point for posing questions and complicating the often over-simplified narrative of the ice caps melting.
Shannon DolanTidal WeaveTidal Weave is a crochet sweater made following the maelle sweater pattern by Alex la Terreur. The dark blue, light blue, and green hues form an alternating retro wave pattern that reminds me of the tranquil waves seen from Scripps. It also symbolizes the ebb and flow of challenges and progress that come with being a graduate student.
Sierra ByrneLos Peñasquitos LagoonThis ceramic tray features the Los Peñasquitos Lagoon, located between Torrey Pines and Del Mar, as seen from a satellite. An estuary is a dynamic environment, rapidly responding to changes from both the ocean and land. My intention was to create this art, from clay and earth, to eternalize a moment from this very transient place in a permanent medium.
Susan BaronUV_AnemoneTide pool Anemone under UV
Susan BaronJewel AnemoneJewel anemone photographed in Monterey Bay
Tess GauthierA Home Worth SavingA beautiful kelp bass swims through a kelp forest in Fisherman's Cove, Catalina Island. Taken on Fujifilm QuickSnap Waterproof Disposable Camera.
Theodora MautzPsalm for the SquidSecular elegy composed in the style of Anglican chant, honoring the squid that I have to sacrifice for my research. The alto line opens with the notes C-E-F-A, a musical cryptogram for “cephalopod.” In the second section, the alto line begins with the Dies irae motif, a reference to the medieval Gregorian chant used to mourn the dead. Accompanying the music is a digital drawing of two market squid (Doryteuthis opalescens) suspended in a mating embrace. To hear the psalm, search "Psalm for the Squid" on Youtube.
Dr. Tim LuekerThe Big MeltCross-section of an ice cap melting from accelerated warming caused by burning fossil fuels
Dr. Tim LuekerHome on the ReefA collection of unique and beautiful inhabitants of coral reefs threatened by climate change that results from burning fossil fuels
Toni Sleughembroider.seaHand embroidery on pillow made from recycled denim
Vrinda GianchandaniMango Tree NostalgiaEnamoured by the single mango tree on my vast school field for years, I used old childhood rags, dreamy purple acrylics, and polaroids of a different time to paint the feeling of nostalgia—a manifestation of one of my fondest memories connected to nature.
Xiaoyu ZouSunbath at La JollaThis painting captures a serene and memorable moment from my first visit to La Jolla Cove six years ago, inspired by the graceful presence of a sea lion basking in the sun. The warm yellow tones dominate the canvas, evoking the brightness of the sunlight and the warmth of the day. The sea lion is portrayed in a relaxed pose, its form elegantly blending into the golden surroundings. I painted it as an assignment for my oil painting class, and the original piece is preserved in my home in China.
Click here to see our artists' pieces and their descriptions
Artist Title Description
Ace ChristensenHydriaLinocut Print
Dr. Adi Khen, Smith LabCommon Southern California SeaweedsDigital art with scanned pressings of common seaweeds found in Southern California
Dr. Adi Khen, Smith LabNon-Native Southern California SeaweedsDigital art with scanned pressings of non-native seaweeds found in Southern California
Ahmi CacapitKichuWatercolor
Ahmi CacapitFieldwork FilmPictures captured on the Palmyra 2025 expedition in September
Aiden BeaupainGoverning Forces On Downstream ThoughtsExistence in a world of substantial trouble, we must cling to the parts that color our lives with hope.
Amita StowittsSelections from a JournalThis piece is a short story told via snippets from an unnamed narrator's personal journal.
AnonymousA Prayer for EntropyWritten at a conference.
Aurora CzajkowskiMeditations from a commute homeWritten thoughts from a commute a few months ago. Reflecting on change and the magic of the mundane.
Bethany CampbellFlorida ElegyFlorida Elegy is a personal essay and lament of all that has been lost since moving to California.
Brenna BellMy Happy Place in the Sea2’ x 5’ tufted rug depicting a colorful coral reef with a friendly octopus.
Bryndan Cyr BedelSeal TalkThe Children's Pool in La Jolla is a favorite place of mine where I can observe seals and sea lions in their natural habitat. During one of my walks, I watched a colony of harbor seals enjoying a quiet moment of safe sanctuary and having fun with fellow rookery mates. They definitely gave their seal of approval!
Caitlin Kenneya shark
CarolBackyard2I live near a lake with open space and I hear coyotes at night. Egrets have walked down the sidewalk and I often find beautiful souvenirs (French for remembrance or memory) of wildlife right in my backyard.
Carolina Lorena BerysWingsOil paint on canvas, 18 x 18 in. This painting conveys themes of transformation and catalyzing personal experiences into growth.
Carolina Lorena BerysAthenaOil paint on canvas, 16 x 20 in. A woman’s face emerges from layers of color, meeting the viewer. Her gaze is fierce yet steady and confident.
Carolina Lorena BerysSoul Screen 2 - Equatorial Countercurrents
Caroline MillerEnvelopedThe girl embodies a surrender to the power of the fast-paced and ever-changing currents of the ocean. Instead of resisting the water's sudden changes, she becomes enveloped, letting herself be surrounded and carried by it.
CharlesWax MonsterWax art on 9'8" Sakoda longboard
Charlotte BellerjeauKelpThis collage explores themes of militarization and pollution in the ocean while invoking the vibrancy and biodiversity of a kelp forest. It is made entirely of plastic found on Southern California beaches (excluding the frame, felt backing, and glue). Look up Nurdle Patrol to learn more about nurdles, and maybe start your own collection on a local beach.
Christine SteinkeAbove the CoastThis is a watercolor painting of the beach from above.
Dante CaponeThe Plankton PumpInspired by schematics of the biological carbon pump, this piece depicts the flow of zooplankton data from collection to output. The lefthand side of the drawing is more tactile approaches and the methods shift towards automation and abstraction to the left. The top of the plot shows the data collection, which is pumped downwards into data outputs.
Deena LangGlowing WatersAcrylic on canvas.
Dovi KacevMantle Wellness Day
Eitan RapaportHearst Castle ZebraThe wild zebra of San Simeon remain one of my favorite stops along California's mystical Central Coast. Descended from the herd released after the dismantling of William Randolph Hearst’s private zoo, they are a unique sight, and a living testament to resilience and the beauty of being unapologetically out of place.
Ella CrotyVent TapestryThis piece was woven on a handmade bead loom, as a gift for a friend who researches hydrothermal vents. While it was woven before the zine theme, hydrothermal vent ecosystems, relying on chemosynthesis, could be considered countercurrent relative to most other ecosystems on Earth.
Emily NixonOn going homea poem
Emily NixonInto the Lightpoem
Ethan Staatsno title / untitledA tidepool on the North-American West coast, in North-West Los Angeles County, CA, settles under a fading winter dusk. The water here is cold. The air is also cold. My denim jacket is damp and dirty and salty. For the moment this tidepool is peaceful, as the tide has receded enough that only occasional waves froth over the rocks, rippling the water in the pool barely enough to reach the back side. Waves crash on the rocks in the mid-ground, and the fringe of Los Angeles lights up the coast in the background. unfiltered digital fluorescence photograph of 3 different CA-native green sea anemone species (Anthopleura spp.); the green spots in the middle of the frame are each individual sea anemones, including 1 sunburst sea anemone (A. sola) of the rare neon genotype/phenotype.
Ethan Staatswhat emergesfor years now, my primary hobby has been finding reptiles and amphibians in their native habitats; "herping" colloquially. since arriving in California, this practice has taken me across the distances of the US American south west, as well as to the deepest places within me. it has excited me, connected me, humbled me, lifted me, wounded me, rewarded me, frightened me, inspired me, taught me; gave me at least part of the capacity to build and become. i am compelled by it. it even contributes directly to our body of scientific knowledge on these organisms: Staats et al. Herpetological Review 54 (1): 74. Staats et al. Herpetological Review 55 (2): 220. there is an art to finding, to understanding, and to the connection i share with these animals. if art is expression, and expression of the self is part of the practice of having one, then to suggest i should put it to the side is to suggest i should put myself, past, present, and future, to the side. i could not even if i should. but, i will not. i can have both. this collage is a summary of my practice of becoming and my experience of being.
Freya HammarFallen AngelThe more I think about it, the more I feel that a whale fall is a kind of communion. It is a congregation of many individuals who come together for a shared meal, which happens to be the body of a greater being. I wanted to create a peaceful, angelic, and otherworldly depiction of a whale, to contrast with the generally morbid phenomenon of a whale fall, so I decided on a mermaid to give the blessing of her body to the benthic community.
Helen DufelTurtle ParadiseThis photo was taken while diving at a site called Turtle Paradise in Moorea, French Polynesia. We had just completed a busy research cruise from Hawaii to Tahiti where we studied tropical instability waves.
Isidora RojasA Prayer to a WavePoem/prose
Jessica McLaughlinConsumptionMixed Media. Acrylic paint and paper, shell, and beaded collage on paper. Consumption - the process of spending wastefully
Jessica ZhongPelagicsA bonito, a swordfish, a tuna, and an opah swim into a current. The barnacle asks, water you having today?
KateMissing HomeThis is a 2D 10'' x 8'' painting depicting an almost summer Alaskan dusk, with pink clouds over snow dusted mountains and green foliage. Dated 12/29/2025, serving as a final farewell art piece to 2025.
KateFire FountainA colored pencil rendering of a volcanic fire fountain. Inspired by Kīlauea, an active shield volcano located in Hawai'i.
Keenan MurrayWelcome to EarthBiologists and trained volunteers gather newly emerged East Pacific Black Sea Turtle hatchlings at the research station on Colola Beach, Mexico. The vibrantly energetic turtles erupt from the sand nightly in the hatchery fully read to take on the mighty Pacific. These hatchlings will one day visit the Southern California coast.
Kenan ChanNereocystisCyanotype print of a photograph I took of Nereocystis luetkeana growing along the Central California Coast.
Kiirah GreenPlankThis plank of wood washed up on the shores of Catalina island in the summer months of 2021. It landed on a smaller pebble and rock lined beach tucked in the corner of Long Point. The beach was opposite the ocean facing side of the island and the waters are calm. This was my home.
Kristina FleetwoodSurvivors at sunriseOn the surface, the open ocean is a beautiful and even seemingly serene place. But beneath the surface, there is much more movement than apparent to the casual observer. Currents carry tiny drifters and small swimmers to new opportunities and peril alike — of predators and even us scientists, as we collect our samples to make sense of this complex environment. This piece is an ode to the small survivors of the pelagic - those who will never be caught by our nets or explicitly represented in our data, but contribute to the ecosystem’s function and beauty nonetheless.
Lily BowenLeafy Seadragon DreamsA digital drawing of a leafy seadragon, inspired by visits to the Birch Aquarium.
Lily BowenLeopard SharkA digital drawing of a leopard shark, a native species to San Diego
Lily BowenTidal ConnectionsShown is a mixed-media ceramic pot with hand built sea star and barnacles. The charcoal drawings represent cave drawings and the connection between humans and the ocean. The weaving shows how interwoven we are.
Lily BowenShoresA glazed ceramic leopard shark and Garibaldi fish that represents a small part of our ecosystem in San Diego
Lizzie TuckerAnchoredPainting of a seal horse anchored to a human hand, acrylic on wood board
Lizzie TuckerCannedPainting of hermit crab in soup can, acrylic on wood board
Lorea DandoyIn SyncCaptured during the sardine run in Magdalena Bay, Baja Mexico, striped marlin and sea lions move in concert—each playing their part in the hunt.
Lorea DandoyCaught in the OpenMid-hunt and in pursuit, a striped marlin and sea lion close in on a small school of sardines from opposite directions. Photo captured during the sardine run in Baja California, Mexico.
Maile HeyerKelp ForestStained glass of a Garibaldi and some kelp!
Maitri Rangarajan-PaulHello OctopusA depiction of my favorite species of octopus, our local California two-spot. I spend a lot of time with them at the Scripps tidepools and wanted to emphasize the complexity, vibrance, and chaos of these color-changing highly intelligent beings.
Malia Reiss"Delicate"Botany was once the only socially acceptable science for women to pursue because of the "delicate" nature of both women and plants. Women took this opportunity to shape this field, with botanists being among the first women to graduate college and become scientists. In 1843, Anna Atkins was the first person to publish a book with photographs––Cyanotype pictures from Photographs of British Algae. Cyanotypes are made from coating paper with light-sensitive chemicals and exposing it to sunlight––any part of the paper shaded (for example, by a algal specimen) remains un-reduced. The final print is developed in water, where the iron salts are washed away leaving the UV-exposed parts blue. After spending most of my research life as a terrestrial botanist, I have only recently begun to study and cyanotype algae. I hope to continue experimenting, and connecting to and honoring the women who shaped science and botany. As seen throughout the past and present, both women and plants are markedly resilient––and far from delicate. This is a selection of cyanotypes that I made right outside my office in CCS (Center for Coastal Studies). I'm still in the process of experimenting, most recently using oil pastel on "failed" cyanotypes.
Mariah AvilaWaves in ClayThis pot was entirely built by hand through coiling and slab-building methods. The clay itself is gritty and reminiscent of sandstone, so I left the majority of the outside unglazed to highlight the form, while the inside is glazed in blue and green. The process was meditative as I let the clay lead me into the final shape.
MSOppositionA collage of screen captures from a video of me dancing. I am countering forces from the rotation of the pole to maintain integrity in each movement.
Nicole SchriberResilienceKulea, the disabled humpback whale, lunges to catch anchovies in her own unique way. Kulea is missing her baleen, so she uses an adaptive feeding strategy. It must work, because she is a healthy whale and has even had a calf!
Nicole SchriberGo, Diego, Go!Diego, a young Eastern Tropical Pacific killer whale, zooms through the water as he plays in the wake of our boat.
Nicole SchriberMonti and HubbardGulf of Alaska transient killer whale Monti surfaces in front of the mighty Hubbard Glacier in Yakutat Bay, Alaska.
Océane BoulaisShellfeggio SynthesizerTaking inspiration from the so-called healing "Solfeggio Frequencies", this scallop-inspired Shellfeggio Synthesizer is an interactive acoustic enrichment object, enabling a healee to integrate polyvagal-regulating frequencies with themselves or another in a playful, modular format. By grounding themselves with the placing of the ancient stone of Laspis Azuli on a finger on their left or right hand, the other hand can “play” the shells like a piano, inducing lulling vibrations to soothe the mind, body and soul.
Océane Boulaisānandamaya koi-shaThis piece merges the corporeal and spiritual dimensions of healing through the symbolic dance of two koi fish encircling twin lotus blossoms resting upon lily pads. The composition itself is rendered with biofluid collected during my recovery from chest surgery—a material that transforms personal trauma into an instrument of creation, making visible the body's own process of repair and renewal. The koi, eternal symbols of perseverance and transformation, move in perpetual circulation around the lotus—the flower that rises pure from murky waters, embodying enlightenment emerging from suffering. This circular motion reflects the mantra meditation practice that guided my inner healing: the recognition of Ananda (bliss), the acknowledgment of Maya (illusion), and the pursuit of Moksha (release). The fish neither begin nor end their journey; they exist in constant becoming, just as healing is not a destination but a continuous unfolding. By incorporating my own biofluid as the medium, the artwork dissolves the boundary between subject and object, between the one who heals and the healing itself. The body's fluid—typically hidden, discarded, deemed waste—becomes pigment, ink, and meaning. What was once evidence of wounding becomes the very substance of artistic expression, mirroring how our deepest pain can become our most profound teacher. The lotus sits serene upon the water's surface, roots unseen but nourished by the depths below. Similarly, this piece acknowledges that true healing occurs beneath the visible, in the quiet work of meditation and the body's patient cellular regeneration. The duality of two fish and two lotus blossoms represents the balance between shadow and light, between the illusion we perceive and the bliss we can cultivate from within.
Phil ZerofskiPanga in kelpPreparing for algae collection on SIO 18 with Phil Zerofski and Dr. Rosie Harris.
Philip Wong 黃俊儒Parts of a WholeParts of a Whole is a collection of 4 photos. Often times when humans see something massive, the only way to truly comprehend its magnitude is to separate it into smaller, more comprehensible parts. Whale sharks are the largest fish in the oceans, a giant machine covered in ridges and spots.
Philip Wong 黃俊儒Cherry BlossomsThe underwater scenes in Indonesia are filled with life. Fish flutter in the water column just like blossoms fall from the cherry trees.
Richard WalshUnderwater dreamI often spend many hours of the day on the pier or looking at the pier, but on this day I was under the pier. The water was so clear and calm it felt like a dream.
Rimma LevinaAlong The RiverI wanted to capture the movement of both water and the flora you can find under water. Things there move slowly, magically, freely. This was made with paint pens on a canvas.
Rimma LevinaPortals Within CurrentsI think we love looking at The Ocean because she lures us in with mystery, and keeps us there with beauty.
Sabrina MontgomeryA beautiful curator of deathA blue ringed octopus around a skull.
Sallylonely islandOn a lonely island, the sunset is staged day after day, but every day is different
Sara G.Sunset SurfBeach photograph at scripps pier
Sarah OgleWarmingI made this as a way to reduce my stress levels from all of the horrible news including the repealing of the endangerment finding.
Sarah RoseResisting Cartography (Terra Australis Incognita)Through this work, I explore the ways in which Antarctica continues to resist cartography. The continent was first referred to as Terra Australis Incognita, which translates to the unknown land of the South. I am struck by how, for the average person, this continent maintains a certain level of incognito characteristics. For example, if one were to look up Antarctica on Google Earth, the majority of the continent remains blurry and unarticulated. While there are government organizations, such as the National Aeronautics and Space Administration, which have access to views from the above in greater detail, I am interested in the non-specialist’s understanding and exploration of the content through digital means. To make this work. I first collected over eighty maps of Antarctica, primarily from the heroic, colonial expedition, and then turned them into a pulp. Turning into a grey, handmade paper, these histories were materially embedded in the work. I then created digitally negatives from contemporary mapping technologies, including satellite and radar, as the image for a cyanotype process. The translation of these digital means into a series of cyanotypes adds a materiality that steps away from the screen and into forms that appear cartographic and non-rectangular. Through the paper making process, while vaguely taking the form of landmasses, the paper shapes become a remanent of the process of pulling the pulp away from the rectangular frame.
Sasha GiuntoliWe Met Across the CountercurrentA digital art piece dedicated to my long distance best friend.
Science Team of CalCOFI RL2601CalCRAFTiNeedle felted marine creatures (and friends!) made aboard the Reuben Lasker during the Winter 2026 CalCOFI Cruise
Shannon DolanRevise and ResubmitThis is my Love Letter Top (pattern by Veronika Lindberg). I frogged and re-knit sections multiple times, undoing hours of work to move forward. The process felt much like the scientific method: hypothesize, experiment, learn, revise, and try again. What now appears as a finished, cohesive piece carries the memory of false starts, corrections, and persistence, reflecting the nonlinear reality of the PhD journey.
Svenja KlingSacrificesSea urchin tests in a frame.
Theodora MautzFieldwork FriendsDedicated to Scoots, Ramsey, Discover, & Blueberry Scones, and inspired by an argument.
Toni SleughThree People and a FishEmbroidery on canvas, a recreation of Keith Haring’s 3 perssonages et poisson
WebbieSmol FriesIllustration of larval marvels- planktonic fish in various developmental forms arranged in kaleidoscopic fashion. Species' latin names frame the little fishes within.
Wesley Sparagonsplish splashPhotograph of field technician diving in to the waters of Kāne‘ohe Bay, Oʻahu, Hawaii. Digital Scans of photograph taken on 35mm Kodak Tri-X 100 film.

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